Summary

Portrait of H. L. Mencken H. L. Mencken The American Language — The General Character of American English (1919)

America itself is unutterably vulgar. But vulgarity, after all, means no more than a yielding to natural impulses in the face of conventional inhibitions, and that yielding to natural impulses is at the heart of all healthy language-making. The history of English, like the history of American and of every other living tongue, is a history of vulgarisms that, by their accurate meeting of real needs, have forced their way into sound usage, and even into the lifeless catalogues of the grammarians.
Source: Wikisource

Portrait of H. L. Mencken H. L. Mencken The American Language — The General Character of American English (1919)

What is old and respected is already in decay the moment it comes into contact with what is new and vivid. “When we Americans are through with the English language,” says Mr. Dooley, “it will look as if it had been run over by a musical comedy.” Let American confront a novel problem alongside English, and immediately its superior imaginativeness and resourcefulness become obvious. Movie is better than cinema; and the English begin to admit the fact by adopting the word; it is not only better American, it is better English. Bill-board is better than hoarding.
Source: Wikisource

Portrait of H. L. Mencken H. L. Mencken The American Language — The General Character of American English (1919)

They are, indeed, common to all languages; they keep language alive. But if you will put the English of today beside the American of today you will see at once how much more forcibly they are in operation in the latter than in the former. The standard southern dialect of English has been arrested in its growth by its purists and grammarians.
Source: Wikisource

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