Summary

Harold B. Gill The Blacksmith in Eighteenth-Century Williamsburg

Only the close daily supervision of an expert and years of practice will enable a smith to know when the eye of his fire is large enough—but not too large ... when the forced draft of his bellows has made the fire hot enough—but not too hot ... when his iron is red enough—but not too red ... when his hammer blows fall heavily enough—but not too heavily to accomplish the particular job at hand.
Readers unfamiliar with the processes and products of a smithy are likely to be strangers also to many of the smith’s tools—which makes for something of a problem in trying to describe them.
Source: Gutenberg

Harold B. Gill The Blacksmith in Eighteenth-Century Williamsburg

It is recommended to the reader who wants to know the nature and uses of these and other tools in a smithy that he become an apprentice to the nearest blacksmith; there is no better way to learn.
Certainly no one can learn to anneal, braze, case-harden, temper, lay, and weld iron just by reading about it. But we can at least offer some definitions:
Annealing is the process of softening steel so that it can be worked by cutting tools. It is done by heating the piece in the fire to blood-red heat, then allowing it to cool slowly.
Source: Gutenberg

Harold B. Gill The Blacksmith in Eighteenth-Century Williamsburg

Two blacksmiths and a gunsmith, as we have seen, came to Jamestown with the earliest settlers, recruited for the obvious reason that their crafts were vital to the survival of any settlement in the wilderness. From the start, both the London Company and the colonial assembly tried to persuade smiths to migrate, and, when they reached the New World, to practice their craft.
Source: Gutenberg

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