Harold MacGrath

Harold MacGrath

Summary

Portrait of Harold MacGrath Harold MacGrath A Dress Rehearsal (1905)

The novelist has comparatively an easy road to travel. The dramatist is beset on all sides, now the business-manager—that is to say, the box-office—now the stage-manager, now the star, now the leading man or woman. Jealousy's green eyes peer from all sides. The dramatist's ideal, when finally presented to the public, resembles those mutilated marbles that decorate the museums of Rome and Florence. Only there is this difference: the public can easily imagine what the sculptor was about, but never the dramatist.
Carrington was a young man, tolerably good-looking, noticeably well built.
Source: Wikisource

Portrait of Harold MacGrath Harold MacGrath A Dress Rehearsal (1905)

The desert is not loneliness; it is only solitude. True loneliness is to be found only in great communities. To be without a single friend or confidant when thousands of beings move about you; to pour your sorrows into cold, unfeeling ears; to seek sympathy in blind eyes—that is loneliness. That is the loneliness that causes the heart to break."
Carrington's eyes never left hers; he was fascinated.
"Luxury!" she repeated bitterly, "Surrounding me with all a woman might desire—paintings that charm the eye, books that charm the mind, music that charms the ear. Money!"
"Philosophy in a girl!"
Source: Wikisource

Portrait of Harold MacGrath Harold MacGrath A Dress Rehearsal (1905)

What a marvelous thing a good after-dinner cigar is! In the smoke of it the poor man sees his ships come in, the poet sees his muse beckoning with hands full of largess, the millionaire reverts to his early struggles, and the lover sees his divinity in a thousand graceful poses.
Source: Wikisource

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