Harold Titus

Harold Titus

Summary

Portrait of Harold Titus Harold Titus,  Appreciating Peter (1917)

“ He felt that Mamie was a menace to his prestige, knew, with a savage sort of hopelessness, that she was quicker, brighter than he; longed for a chance to show her that he was truly sophisticated, that he could live as largely as he talk. Also, she was so desirable—and persistently unattainable.
At Wolf’s the intimacy between Peter and Grinnell grew until, realizing that the lad actually wanted to know, Peter called him behind the wicket and patiently, in great detail, elaborated on the system he had evolved for his work.
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Source: Wikisource

Portrait of Harold Titus Harold Titus,  Appreciating Peter (1917)

“ They turned and their pace slowed, the tapping of the cane became less vigorous and finally ceased altogether as Peter Howard listened, dropping his head lower and lower, leaning a bit toward the girl, as if in conscious attitude of the protector.
People always were eager to talk to him, it seemed. Mamie, in spite of a past that, though not unusual, is abnormal, was very much of a person, a human being. Opening her miserable, sick, frightened heart to Peter Howard that night opened a way to a way of living that was more usual, nearer normal.
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Source: Wikisource

Portrait of Harold Titus Harold Titus,  Appreciating Peter (1917)

“ That sent him into a run, though; not a fast run, for shipping-clerks with silvery hair do not sprint. He trotted on, cane upraised and cried:
“Here, here! Young man, stop that!”
The roar of the trains had died to a growl and the fellow, hearing the shout, looked up quickly, still keeping his clutch on Mamie’s wrist, fingers of the other hand fastened on the purse the girl was holding from him.
“Young man, don’t do that!” cried Peter.
”
Source: Wikisource

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