Summary

Portrait of Harry De Windt Harry De Windt A Ride to India across Persia and Baluchistán

Those were pleasant days at Shiráz. One never tired of wandering about the outskirts of the city and through the quiet, shady gardens and "cities of the silent," as the Persians call their cemeteries; for, when the solemn stillness of the latter threatened to become depressing, there was always the green plain, alive from morning till night with movement and colour, to go back to. Early one morning, awoke by the sound of a cracked trumpet and drums, I braved the dust, and followed a Persian regiment of the line to its drill-ground.
Source: Gutenberg

Portrait of Harry De Windt Harry De Windt A Ride to India across Persia and Baluchistán

It presents, at first sight, much more the appearance of a Spanish or Moorish town than a Persian one. The dirty brown mud huts are replaced by picturesque white houses, with coloured domes, gaily striped awnings, and carved wooden balconies overhanging the stream. Riding through the city gate, we plunge from dazzling sunshine into the cool semi-darkness of the bazaar, through which we ride for at least a quarter of an hour, when a sudden turning brings us once more into daylight in the yard of a huge caravanserai, crowded with mule and camel caravans.
Source: Gutenberg

Portrait of Harry De Windt Harry De Windt A Ride to India across Persia and Baluchistán

Like most Eastern cities, Beïla does not improve on closer acquaintance. The people are dirty and indolent. There is little or no trade, and the dark, narrow streets, ankle-deep in mud and filth, are crowded with beggars and pariah dogs, while the dull drab colour of the mud houses is depressing in the extreme. The fort and palace alone are built of brick, and, being whitewashed, relieve to a certain extent the melancholy aspect of the place. I was escorted to the latter the afternoon of my arrival by a guard of honour, preceded by the Djam's band—half a dozen cracked English cavalry trumpets!
Source: Gutenberg

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