Summary

Portrait of Henrik Ibsen Henrik Ibsen The Collected Works of Henrik Ibsen… (1907)

Rosmer. Come; let us try it. We two will be one. The place of the dead must stand empty no longer.
Rebecca. I—in Beata’s place——!
Rosmer. Then she will be out of the saga—completely—for ever and ever.
Rebecca. [Softly, trembling.] Do you believe that, Rosmer?
Rosmer. It must be so! It must! I cannot—I will not go through life with a dead body on my back. Help me to cast it off, Rebecca. And let us stifle all memories in freedom, in joy, in passion. You shall be to me the only wife I have ever had.
Rebecca. [With self-command.] Never speak of this again. I will never be your wife.
Source: Gutenberg

Portrait of Henrik Ibsen Henrik Ibsen The Collected Works of Henrik Ibsen… (1907)

Arnholm. Yet it seems to me you ought to have that right.
Ellida. Yes; but as a matter of fact I haven’t. That is the thing. I too live a life—in which the others have no part.
Arnholm. You! [More softly.] Am I to understand that—you—you do not really love your husband?
Ellida. Oh yes, yes—I have come to love him with my whole heart! And that is just why it is so terrible—so inexplicable—so absolutely inconceivable——!
Arnholm. Now you must tell me all your troubles without reserve! Will you not, Mrs. Wangel?
Ellida. I cannot, dear friend—not now, at any rate. Sometime, perhaps.
Source: Gutenberg

Portrait of Henrik Ibsen Henrik Ibsen The Collected Works of Henrik Ibsen… (1907)

Arnholm. But my dear Mrs. Wangel,—I have never noticed that people are so profoundly melancholy. I should say, on the contrary, that most people take life cheerfully and lightly—with a great, calm, unconscious joy.
Ellida. Oh no, that is not so. That joy—it is just like our joy in the long, light summer days. It has in it the foreboding of the darkness to come. And this foreboding casts its shadow over the joy of mankind,—just as the driving scud casts its shadow over the fiord. There it lies all blue and shining; and then all of a sudden——
Boletta.
Source: Gutenberg

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