Henry Blake Fuller

Henry Blake Fuller

Summary

Portrait of Henry Blake Fuller Henry Blake Fuller With the Procession

A woman of fifty or more was descending with a slow and somewhat ponderous stateliness. She wore an elaborate morning gown with a broad plait down the back, and an immensity of superfluous material in the sleeves. Her person was broad, her bosom ample, and her voluminous gray hair was tossed and fretted about the temples after the fashion of a marquise of the old régime. Jane set her jaw and clamped her knotty fingers to the two edges of her inhospitable chair.
"I don't care if she is so rich," she muttered, "and so famous and so fashionable and so terribly handsome; she can't bear me down."
Source: Gutenberg

Portrait of Henry Blake Fuller Henry Blake Fuller With the Procession

It was like thrusting a lighted candle into a jar of nitrogen. The candle went out at once. And never came back. To David Marshall, art in all its forms was an inexplicable thing; but more inexplicable still was the fact that any man could be so feeble as to yield himself to such trivial matters in a town where money and general success still stood ready to meet any live, practical fellow half-way—a fellow, that was to say, who knew an opportunity when he saw it. The desire of beauty was not an inborn essential of the normal human being.
Source: Gutenberg

Portrait of Henry Blake Fuller Henry Blake Fuller With the Procession

The people around them figured no longer as the swell crush of London, but as a respectful, lock-tugging, courtesy-dropping tenantry who fell off on either side as she passed out to her carriage on her husband's arm. There were side-long glimpses, too, of forgeries and murders and lost wills and stolen jewels and people drowned in wells; in one book there had been a maniac girl shut up in a room—but she should try to avoid all these superfluities; a duchess in possession of her senses would be decidedly preferable. A week later and she was deeper in Burke and Debrett than ever.
Source: Gutenberg

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