Clemence Dane

Clemence Dane

Summary

Portrait of Clemence Dane Clemence Dane Regiment of Women

Oh, life's a comedy," cried Elsbeth. "You young folk have your troubles, and think we are too old and blind to see them; and we old folk have our troubles, and know you are too young and blind to see them. Yes, Roger—I'm having a grumble, and it's doing me good. One suffers vicariously as one gets older, but one suffers just the same. You children forget that."
"Do we?" he said gently. "I won't again—we won't, later on, Elsbeth—Alwynne and I."
"I want you two to be happy," she cried piteously. "I want it so. Oh, Roger, what can I do?"
Source: Gutenberg

Portrait of Clemence Dane Clemence Dane Regiment of Women

That I was a brute to Louise, I suppose?"
Alwynne looked at her wistfully.
"Clare, I do love you so."
Clare stiffened.
"Then I warn you—stop! I'm not good for you. I hurt people who love me. You always pestered me about hurting Louise. You needn't protest. You always did. And now you lay her death at my door. I see it in your face. Can't I read you like a book? Can't I? Can't I?" Her face was distorted by the conflict within her.
Alwynne's simplicity was convinced. Here, she felt, was tragedy. Awe and pity tore at her sense of reality. Love loosened her tongue.
Source: Gutenberg

Portrait of Clemence Dane Clemence Dane Regiment of Women

Alwynne's utter unrealisation of the fact that a trial of strength was in progress, was disconcerting: yet Clare, jaded and super-subtle, found her innocence endearing. Without relaxing in her purpose, she yet caught herself wondering if an ally were not better than a slave. But the desire for domination was never entirely shaken off, and Alwynne's free bearing was in itself an ever-present challenge. Clare loved her for it, but her pride was in arms. It was her misfortune not to realise that, for all her Olympian poses, she had come to love Alwynne deeply and enduringly.
Source: Gutenberg

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