Summary

Portrait of Henry Ford Henry Ford The International Jew: The World's Foremost Problem… (1920)

When you see millions of people crowding through the doors of the movie houses at all hours of the day and night, literally an unending line of human beings in every habitable corner of the land, it is worth knowing who draws them there, who acts upon their minds while they quiescently wait in the darkened theater, and who really controls this massive bulk of human force and ideas generated and directed by the suggestions of the screen.
Source: Wikisource

Portrait of Henry Ford Henry Ford The International Jew: The World's Foremost Problem… (1920)

The public can be deprived of a point on which to focus a demand. Exhibitors can no longer say, “I want this or that,” even within the narrow margin they recently had; they will have no choice because there will be no choice; the business will be a standardized “industry.”
These, then, are some of the facts of the American motion picture world. They are not all the facts, but each of them is important. Not one can be overlooked by students of the influence of the theater. Many a perplexed observer of everyday affairs will find in these facts a key which explains many things.
Source: Wikisource

Portrait of Henry Ford Henry Ford The International Jew: The World's Foremost Problem… (1920)

A little “Who’s Who in the Motion Picture Industry” would make a valuable department in the movie theaters’ printed programs, but it is not pleasant to think of what would happen to the manager who should print one. There is a strange confusion in the Jewish mind, a struggle between a desire to remain unidentified and a desire to be known. Sometimes they measure friendship by the depth of the silence about their being Jews; sometimes by the amount of open laudation. To say a man is a Jew is sometimes to be vilified as an “anti-Semite,” and sometimes to be honored as “a friend of our nation.”
Source: Wikisource

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