Summary

Portrait of Henry Harland Henry Harland Two Women or One? From the Mss…

What could I do? What could I say? “Oh, Miriam, Miriam,” I faltered helplessly. “Calm yourself. For Heaven's sake, lie quiet. You will work yourself into a fever, into delirium. Your agitation may cost you your life. Lie quiet and let me think. My poor wits are distracted.”
She caught at the name Miriam.
“Miriam? Miriam! Who is Miriam? Have I not told you my name? My name is Louise Massarte. Why do you call me by another? Miriam!—Miriam! Am I in a madhouse? Oh, oh! my head!”
Source: Gutenberg

Portrait of Henry Harland Henry Harland Two Women or One? From the Mss…

Forgetfulness is what I wish for, yes. But there is no forgetfulness except in death—no Lethe save the Styx.”
“No forgetfulness except in death? You assume, then, that there is forgetfulness in death; a bold assumption. Have you no dread of something after death, the undiscovered country? Do you ignore the possibility of a future life? Suppose, beyond the grave, you preserve your identity—that is to say, your memory: in what respect will you have gained by the change?”
“I must take my risks. This much I know for certain: there is no forgetfulness in life. In death there may be.
Source: Gutenberg

Portrait of Henry Harland Henry Harland Two Women or One? From the Mss…

Surely, no other human being had the shadow of a claim to learn it Miriam Benary had never even heard of Louise Massarte. Louise Massarte was dead and abolished utterly. Therefore, to saddle Miriam, in her youth and her innocence, with that dead woman's name and history, to put upon her the burden of the dead woman's sin and shame, it would be to do her not only a most grievous, but a most unwarrantable, wrong.
No, I could not, I would not, I must not, tell Fairchild the story of Louise Massarte's annihilation, and the consequent existence of Miriam Benary.
Source: Gutenberg

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