Summary

Samuel Vaknin Moral Deliberations in Modern Cinema

For what is intellectual property but a mere record of the brain's activities? A book, a painting, an invention are the documentation and representation of brain waves. They are mere shadows, symbols of the real presence - our mind. How can we reconcile this contradiction? We are deemed by the law to be capable of holding full and unmitigated rights to the PRODUCTS of our brain activity, to the recording and documentation of our brain waves. But we hold only partial rights to the brain itself, their originator.
Source: Gutenberg

Samuel Vaknin Moral Deliberations in Modern Cinema

If one memorized the formula to cure AIDS or cancer and refused to divulge it for a reasonable compensation - surely, we should feel entitled to invade his brain and extract it? Once such technology is available - shouldn't authorized bodies of inspection have access to the brains of our leaders on a periodic basis? And shouldn't we all gain visitation rights to the minds of great men and women of science, art and culture - as we do today gain access to their homes and to the products of their brains?
Source: Gutenberg

Samuel Vaknin Moral Deliberations in Modern Cinema

Self-identity is not only always-on and all-pervasive - but also incorrigible. In other words, no one - neither an observer, nor the person himself - can "disprove" the existence of his self-identity. No one can prove that a report about the existence of his (or another's) self-identity is mistaken.
Is it equally safe to say that no one - neither an observer, nor the person himself - can prove (or disprove) the non-existence of his self-identity? Would it be correct to say that no one can prove that a report about the non-existence of his (or another's) self-identity is true or false?
Source: Gutenberg

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