Summary

Henry James The Finer Grain (London: Methuen & Co…

He wasn't constitutionally, it may at once be explained for him, a goggled person; and he was condemned in New York to this frequent violence of transition—having to reckon with it whenever he went out, as who should say, from himself. The high pitch of interest, to his taste, was the pitch of history, the pitch of acquired and earned suggestion, the pitch of association, in a word; so that he lived by preference, incontestably, if not in a rich gloom, which would have been beyond his means and spirits, at least amid objects and images that confessed to the tone of time.
Source: Wikisource

Henry James The Finer Grain (London: Methuen & Co…

It was in the course of another minute the most extraordinary thing in the world: everything had altered, dropped, darkened, disappeared; his imagination had spread its wings only to feel them flop all grotesquely at its sides as he recognized in his hostess's quiet companion, the oppressive alien who hadn't indeed interfered with his fanciful flight, though she had prevented his immediate declaration and brought about the thud, not to say the felt violent shock, of his fall to earth, the perfectly plain identity of Cornelia Rasch.
Source: Wikisource

Henry James The Finer Grain (London: Methuen & Co…

It was after that fashion he might easily have been moved, and with almost no transition, to break out to Cornelia—quite as if taking up some old talk, some old community of gossip, just where they had left it; even with the consciousness perhaps of overdoing a little, of putting at its maximum, for the present harmony, recovery, recapture (what should he call it?) the pitch and quantity of what the past had held for them.
Source: Wikisource

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