Max Beerbohm

Max Beerbohm

Summary

Portrait of Max Beerbohm Max Beerbohm,  Zuleika Dobson — Chapter 2 (1911)

“ Aye, and it was youths who gave homage to her most freely. She was of that high-stepping and flamboyant type that captivates youth most surely. Old men and men of middle age admired her, but she had not that flower-like quality of shyness and helplessness, that look of innocence, so dear to men who carry life's secrets in their heads. Yet Zuleika was very innocent, really. She was as pure as that young shepherdess Marcella, who, all unguarded, roved the mountains and was by all the shepherds adored. Like Marcella, she had given her heart to no man, had preferred none. ”
Source: Wikisource

Portrait of Max Beerbohm Max Beerbohm,  Zuleika Dobson — Chapter 2 (1911)

“ The jewellers of the Rue de la Paix soon had nothing left to put in their windows—everything had been bought for "la Zuleika." For a whole month, baccarat was not played at the Jockey Club—every member had succumbed to a nobler passion. For a whole month, the whole demi-monde was forgotten for one English virgin. Never, even in Paris, had a woman triumphed so. When the day came for her departure, the city wore such an air of sullen mourning as it had not worn since the Prussians marched to its Elysée. Zuleika, quite untouched, would not linger in the conquered city. ”
Source: Wikisource

Portrait of Max Beerbohm Max Beerbohm,  Zuleika Dobson — Chapter 2 (1911)

“ And before her all youths always did fall prone. She was an empress, and all youths were her slaves. Their bondage delighted her, as I have said. But no empress who has any pride can adore one of her slaves. Whom, then, could proud Zuleika adore? It was a question which sometimes troubled her. There were even moments when, looking into her cheval-glass, she cried out against that arrangement in comely lines and tints which got for her the dulia she delighted in. To be able to love once—would not that be better than all the homage in the world? ”
Source: Wikisource

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