Henry James

Summary

Henry James The Jolly Corner

It stared, it glared back at him with that challenge; it put to him the two alternatives: should he just push it open or not? Oh to have this consciousness was to think—and to think, Brydon knew, as he stood there, was, with the lapsing moments, not to have acted! Not to have acted—that was the misery and the pang—was even still not to act; was in fact all to feel the thing in another, in a new and terrible way. How long did he pause and how long did he debate? There was presently nothing to measure it; for his vibration had already changed—as just by the effect of its intensity.
Source: Gutenberg

Henry James The Jolly Corner

At present, in the splendid autumn weather—the autumn at least was a pure boon in the terrible place—he loafed about his “work” undeterred, secretly agitated; not in the least “minding” that the whole proposition, as they said, was vulgar and sordid, and ready to climb ladders, to walk the plank, to handle materials and look wise about them, to ask questions, in fine, and challenge explanations and really “go into” figures.
It amused, it verily quite charmed him; and, by the same stroke, it amused, and even more, Alice Staverton, though perhaps charming her perceptibly less.
Source: Gutenberg

Henry James The Jolly Corner

So Brydon, before him, took him in; with every fact of him now, in the higher light, hard and acute—his planted stillness, his vivid truth, his grizzled bent head and white masking hands, his queer actuality of evening-dress, of dangling double eye-glass, of gleaming silk lappet and white linen, of pearl button and gold watch-guard and polished shoe. No portrait by a great modern master could have presented him with more intensity, thrust him out of his frame with more art, as if there had been “treatment,” of the consummate sort, in his every shade and salience.
Source: Gutenberg

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