Henry James

Summary

Henry James The Turn of the Screw (1898)

My charming work was just my life with Miles and Flora, and through nothing could I so like it as through feeling that I could throw myself into it in trouble. The attraction of my small charges was a constant joy, leading me to wonder afresh at the vanity of my original fears, the distaste I had begun by entertaining for the probable gray prose of my office. There was to be no gray prose, it appeared, and no long grind; so how could work not be charming that presented itself as daily beauty? It was all the romance of the nursery and the poetry of the schoolroom.
Source: Gutenberg

Henry James The Turn of the Screw

There came to me thus a bewilderment of vision of which, after these years, there is no living view that I can hope to give. An unknown man in a lonely place is a permitted object of fear to a young woman privately bred; and the figure that faced me was—a few more seconds assured me—as little anyone else I knew as it was the image that had been in my mind. I had not seen it in Harley Street—I had not seen it anywhere. The place, moreover, in the strangest way in the world, had, on the instant, and by the very fact of its appearance, become a solitude.
Source: Gutenberg

Henry James The Turn of the Screw (1898)

The little wretches denied it with all the added volume of their sociability and their tenderness, in just the crystal depths of which—like the flash of a fish in a stream—the mockery of their advantage peeped up. The shock, in truth, had sunk into me still deeper than I knew on the night when, looking out to see either Quint or Miss Jessel under the stars, I had beheld the boy over whose rest I watched and who had immediately brought in with him—had straightway, there, turned it on me—the lovely upward look with which, from the battlements above me, the hideous apparition of Quint had played.
Source: Gutenberg

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