Summary

Henry James The Reverberator, Madame de Mauves… (1908)

The face of the work may be small in itself, and yet the surface, the whole thing, the associational margin and connexion, may spread, beneath the fond remembering eye, like nothing more noble than an insidious grease-spot. It is of the essence of the anecdote to get itself told as it can—which truth represented clearly the best chance of life for the matter involved in "The Reverberator"; but also it is of the essence of the drama to conform to logic, and the pages I here treat of may appear at moments not quite predominantly sure either of their luck or of their law.
Source: Wikisource

Henry James The Reverberator, Madame de Mauves… (1908)

The musing artist's imagination—thus not excluded and confined—supplies the link that is missing and makes the whole occasion (the occasion of the glorious birth to him of still another infant motive) comprehensively and richly one. And this if that addition to his flock—his effusive parental welcome to which seems immediately to cause so splendid and furnished and fitted a world to arch over it—happens to be even of so modest a promise as the tiny principle of "The Reverberator."
Source: Wikisource

Henry James The Reverberator, Madame de Mauves… (1908)

A hundred good instances confirmed this tradition that nothing in the new world was held accountable to anything in the old, that the hemispheres would have been as dissociated as different planets had n't one of them, by a happy miracle, come in for the comparatively antique right of free fishing in the other.
It was the so oft-attested American sense of the matter that was meanwhile the oddity—the sense on the part of remote adventurous islanders that no custom of give-and-take between their bustling archipelago and the far, the massed continent was thinkable.
Source: Wikisource

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