Herman Cyril McNeile

Herman Cyril McNeile

Summary

Portrait of Herman Cyril McNeile Herman Cyril McNeile A Scrap of Paper (1924)

My eyes idly followed the two people he had been speaking to, as they made their way out of the restaurant. The man, bronzed, clean-cut, hard-as-nails, typical of all that is best in English athleticism; the woman, graceful, fair, and utterly charming without being exactly pretty. They had paused by our table and spoken to the man I was dining with—spoken as people speak to a very old friend. And he had answered in the same strain. Then they had passed on, and Eustace Nolan, my companion, eminent critic and writer of belles-lettres, had sat down again with a faint reminiscent smile.
Source: Wikisource

Portrait of Herman Cyril McNeile Herman Cyril McNeile A Scrap of Paper (1924)

We're all dependent on someone, of they're dependent on us. But all I said was:—
“'You were free enough here, Loraine, three years ago. A big love is the nearest approach to freedom you can have. It washes out selfishness.'
“But she wouldn't listen, and I knew it was best for her to get it off her mind. It wasn't as if she was going to leave Jack for good; they could still meet and spend some of their time together.
Source: Wikisource

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