Summary

Portrait of Mrs. Wilson Woodrow Mrs. Wilson Woodrow McClure's Magazine, Volume 27, Number 1… (1905)

Captola and Celia, girls of thirteen and twelve years, and Peter and “Josh,” boys of eleven and eight, danced about gaily, singing with clear, shrill voices, “Mommie's gone a gipsyin'! Mommie's gone a gipsyin'!” in a very ecstasy of freedom. Loosed of moral bond or tether, they realized to the full that the world was theirs for purposes of experimentation.
For some reason, at intervals of every two or three years, Mrs. Nitschkan became beset with longings for a life in the open.
Source: Wikisource

Portrait of Mrs. Wilson Woodrow Mrs. Wilson Woodrow McClure's Magazine, Volume 27, Number 1… (1905)

It does a man good to get his teeth into vittles like these,” he said, when he had finished the last bite of pie and sat gazing with glistening eyes at the remaining half on the pie plate.
“Aw, take the rest, Jack,” urged Mrs. Thomas. “It'll do you good. Like enough you ain't had much to stay you lately.”
He took a deep draught of coffee and wiped his mouth meditatively on the back of his sleeve. Then an impulse of gallantry stirred within him, a desire to express his gratitude for the neighborly offices of his wife's friends. “I hope Landvetter and Evans 'preciate their blessings,” he said.
Source: Wikisource

Portrait of Mrs. Wilson Woodrow Mrs. Wilson Woodrow McClure's Magazine, Volume 27, Number 1… (1905)

She would depart, taking a camping outfit with her, and be gone—a month, six weeks, two months; at last returning, hale, tanned, and hearty, full of new life and laughter, her larder enriched with bear and venison, fish and fowl, her tongue quick with a score of fishermen's and hunters' yarns to enliven the long evenings for her husband and the lean, brown prospectors, when they gathered at her cabin to play poker and pinochle through the winter nights.
“It ain't no good sayin' a word,” mourned Mrs. Thomas, as she and her companions started homeward.
Source: Wikisource

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