Hilaire Belloc

“ To say that Charles of Orleans's equal and persistent music was like a string harped on distinctly in a chorus of flutes and hautboys, till one by one harps from here and there caught up the similar tang of chords and at last the whole body of sound was harping only.
His life was suited to such difference and such origination. Italy, still living, filled him. An Italian secretary wrote from his mouth the most sumptuous of his manuscripts. ”

“ In the first of these the leader, sometimes the unique example of the school, stands out great, but particular and clear, on a background vague or dark. He is as stupendous, yet as sharp and certain, as a mountain facing the morning, with only sky behind. In the second the originator, if there be one, is vague, tentative, perhaps unknown. More often many minor men together introduce a slow and general transition.
Now the French Renaissance has this peculiar mark, that it holds quite plainly by one side of it to the first by the other to the second of these spirits. ”

“ Such is the whole line, but look at this one Valois and you see all the qualities of his race toned by a permanent sadness down to a good and even temper, not hopeful but still delighting in beauty and possessed as no other Valois had been of charity. Less passionate and therefore much less eager and useful than most of his race, yet the taint of madness never showed in him, nor the corresponding evil of cruelty, nor the uncreative luxury of his immediate ancestry. All the Valois were poets in their kind; his life by its every accident caused him to write. ”

“ It was in such a company that he recited the last ironical but tender song wherein he talks of his lost youth and vigour and ends by bidding all present a salute in the name of his old age.
So he sat, half regal, holding a court of song in Blois and Tours, a forerunner in verse of what the new time was to build in stone along the Loire. And it was at Amboise that he died. ”

“ The verse is full of allegory; it is repetitive; it might weary one with the savour of that unhappy fifteenth century when the human mind lay under oppression, and only the rich could speak their insignificant words; a foreigner especially might find it all dry bones, but his judgement would be wrong. Charles of Orleans has a note quite new and one that after him never failed, but grew in volume and in majesty until it filled the great chorus of the Pleiade--the Lyrical note of direct personal expression. ”

“ The verse formed in that long endurance (a style which he preserved to the end in the many poems after his release) may seem at a first reading merely mediæval. There is wholly lacking in it the riot of creation, nor can one see at first the Renaissance coming in with Charles of Orleans. ”

“ We can show with dates and citations the parts meeting and blending; our difficulty is not to determine the influences which have mixed to make the general school, but rather to fix the beginning and the end of its effect upon men. ”

“ Produced by a shock or a revelation, as two gases lit will, in a sharp explosion, unite to form a liquid wholly unlike either, so after a great conquest, a battle, the sudden preaching of a creed, these primal literatures appear in an epic or a dithyrambic code of awful law. Their first effort is their mightiest. They come mature. ”