Jacob Burckhardt

“ No doubt the supreme achievements of the human mind were then produced independently of the help of the drawing-room. Yet it would be unjust to rate the influence of the latter on art and poetry too low, if only for the reason that society helped to shape that which existed in no other country--a widespread interest in artistic production and an intelligent and critical public opinion. And apart from this, society of the kind we have described was in itself a natural flower of that life and culture which was then purely Italian, and which since then has extended to the rest of Europe. ”

“ To convince ourselves of it, we are not obliged to take as our standard the idealized society which Castiglione depicts as discussing the loftiest sentiments and aims of human life at the court of Guidobaldo of Urbino, and Pietro Bembo at the castle of Asolo The society described by Bandello, with all the frivolities which may be laid to its charge, enables us to form the best notion of the easy and polished dignity, of the urbane kindliness, of the intellectual freedom, of the wit and the graceful dilettantism, which distinguished these circles. ”

“ Language and Society The higher forms of social intercourse, which here meet us as a work of art--as a conscious product and one of the highest products of national life have no more important foundation and condition than language. In the most flourishing period of the Middle Ages, the nobility of Western Europe had sought to establish a 'courtly' speech for social intercourse as well as for poetry. In Italy, too, where the dialects differed so greatly from one another, we find in the thirteenth century a so-called 'Curiale,' which was common to the courts and to the poets. ”

“ Women of this stamp could listen to novels like those of Bandello, without social intercourse suffering from it. The ruling genius of society was not, as now, womanhood, or the respect for certain presuppositions, mysteries, and susceptibilities, but the consciousness of energy, of beauty, and of a social state full of danger and opportunity. ”

“ Equality of Classes Every period of civilization which forms a complete and consistent whole manifests itself not only in political life, in religion, art, and science, but also sets its characteristic stamp on social life. Thus the Middle Ages had their courtly and aristocratic manners and etiquette, differing but little in the various countries of Europe, as well as their peculiar forms of middle-class life.
Italian customs at the time of the Renaissance offer in these respects the sharpest contrasts to medievalism. The foundation on which they rest is wholly different. ”

“ In Italy, throughout the whole of the fifteenth century, the wives of the rulers, and still more those of the Condottieri, have nearly all a distinct, recognizable personality, and take their share of notoriety and glory. To these came gradually to be added a crowd of famous women of the most varied kind; among them those whose distinction consisted in the fact that their beauty, disposition, education, virtue, and piety, combined to render them harmonious human beings. ”

“ Domestic Life After treating of the intercourse of society, let us glance for a moment at the domestic life of this period. We are commonly disposed to look on the family life of the Italians at this time as hopelessly ruined by the national immorality, and this side of the question will be more fully discussed in the sequel. For the moment we must content ourselves with pointing out that conjugal infidelity has by no means so disastrous an influence on family life in Italy as in the North, so long at least as certain limits are not overstepped. ”

“ Social Etiquette This society, at all events at the beginning of the sixteenth century, was a matter of art; and had, and rested on, tacit or avowed rules of good sense and propriety, which are the exact reverse of all mere etiquette. In less polished circles, where society took the form of a permanent corporation, we meet with a system of formal rules and a prescribed mode of entrance, as was the case with those wild sets of Florentine artists of whom Vasari tells us that they were capable of giving representations of the best comedies of the day. ”

“ In Venice and Florence at the time of the Renaissance there were rules and regulations prescribing the dress of the men and restraining the luxury of the women. Where the fashions were more free, as in Naples, the moralists confess with regret that no difference can be observed between noble and burgher. They further deplore the rapid changes of fashion, and--if we rightly understand their words--the senseless idolatry of whatever comes from France, though in many cases the fashions which were received back from the French were originally Italian. ”

“ All Western Europe, as soon as its wealth enabled it to do so, set to work in the same way at the close of the Middle Ages. But its efforts produced either childish and fantastic toy-work, or were bound by the chains of a narrow and purely Gothic art, while the Renaissance moved freely, entering into the spirit of every task it undertook and working for a far larger circle of patrons and admirers than the northern artists. The rapid victory of Italian decorative art over northern in the course sixteenth century is due partly to this fact, though the result of wider and more general causes. ”

“ Ridicule in abundance awaited the foreign scholar who explained to the Tuscans how little they understood their language. The life and influence of a writer like Machiavelli was enough to sweep away all these cobwebs. His vigorous thoughts, his clear and simple mode of expression wore a form which had any merit but that of the 'Trecentisti.' And on the other hand there were too many North Italians, Romans, and Neapolitans, who were thankful if the demand for purity of style in literature and conversation was not pressed too far. ”

“ At the corners of the chariot sat four grey-headed lawgivers, encircled by angels with banners; by its side rode standard-bearers in complete armor. It need hardly be added that the goddess and the genius did not suffer the Duke to pass by without an address. A second car, drawn by a unicorn, bore a Caritas with a burning torch; between the two came the classical spectacle of a car in the form of a ship, moved by men concealed within it. The whole procession now advanced before the Duke. ”

“ This dilettantism, which pervaded the middle as well as the upper classes, was in Italy both more widespread and more genuinely artistic than in any other country of Europe. Wherever we meet with a description of social intercourse, there music and singing are always and expressly mentioned. Hundreds of portraits show us men and women, often several together, playing or holding some musical instrument, and the angelic concerts represented in the ecclesiastical pictures prove how familiar the painters were with the living effects of music. ”

“ But in Italy, so far as the neighbourhood of certain towns at all events was concerned, the security of life and property was so great, and the passion for a country residence was so strong, that men were willing to risk a loss in time of war. Thus arose the villa, the country-house of the well-to- do citizen. This precious inheritance of the old Roman world was thus revived, as soon as the wealth and culture of the people were sufficiently advanced. ”

“ Cleanliness is indispensable to our modern notion of social perfection, which was developed in Italy earlier than elsewhere. That the Italians were one of the richest of existing peoples, is another presumption in their favour. Proof, either for or against these pretensions, can of course never be forthcoming, and if the question were one of priority in establishing rules of cleanliness, the chivalrous poetry of the Middle Ages is perhaps in advance of anything that Italy can produce. ”

“ As eating small part of such entertainments, it not difficult to keep at a distance those who sought society for these objects. If we are to take the writers of dialogues literally, the loftiest problems of human existence were not excluded from the conversation of thinking men, and the production of noble thoughts was not, as was commonly the case in the North, the work of solitude, but of society. But we must here limit ourselves to the less serious side of social intercourse--to the side which existed only for the sake of amusement. ”

“ Even the love-sonnets and religious poems are so precise and definite in their character, and so far removed from the tender twilight of sentiment, and from all the dilettantism which we commonly find in the poetry of women, that we should not hesitate to attribute them to male authors, if we had not clear external evidence to prove the contrary.
For, with education, the individuality of women in the upper classes was developed in the same way as that of men. Till the time of the Reformation, the personality of women out of Italy, even of the highest rank, comes forward but little. ”

“ There is certainly a larger number of people able to read in Italy than we should be led to expect from the condition of many parts of the country--as for in- stance, the States of the Church--in other respects; but what is more important is the general and undisputed respect for pure language and pronunciation as something precious and sacred. One part of the country after another came to adopt the classical dialect officially. Venice, Milan, and Naples did so at the noontime of Italian literature, and partly through its influences. ”

“ Together with these discussions, we find a sketch of the conditions of the nobles in various parts of Italy. In Naples they will not work, and busy themselves neither with their own estates nor with trade and commerce, which they hold to be discreditable; they either loiter at home or ride about on horseback. The Roman nobility also despise trade, but farm their own property; the cultivation of the land even opens the way to a title; it is a respectable but boorish nobility. In Lombardy the nobles live upon the rent of their inherited estates ”

“ In singing, the solo only was permitted, 'for a single voice is heard, enjoyed, and judged far better.' In other words, as singing, notwithstanding all conventional modesty, is an exhibition of the individual man of society, it is better that each should be seen and heard separately. The tender feelings produced in the fair listeners are taken for granted, and elderly people are therefore recommended to abstain from such forms of art, even though they excel in them. ”

“ This language--loved, tended, and trained to every use--now served as the basis of social intercourse. In northern countries, the nobles and the princes passed their leisure either in solitude, or in hunting, fighting, drinking, and the like; the burghers in games and bodily exercises, with a mixture of literary or festive amusements. In Italy there existed a neutral ground, where people of every origin, if they had the needful talent and culture, spent their time in conversation change of jest and earnest. ”

“ And as time went on, the greater the influence of humanism on the Italian mind, the firmer and more widespread became the conviction that birth decides nothing as to the goodness or badness of a man. In the fifteenth century this was the prevailing opinion. Poggio, in his dialogue 'On nobility,' agrees with his interlocutors-- Niccolo Niccoli, and Lorenzo Medici, brother of the great Cosimo-- that there is no other nobility than that of personal merit. The keenest shafts of his ridicule are directed against much of what vulgar prejudice thinks indispensable to an aristocratic life. ”

“ The taste for hawking and hunting saviours no more of nobility than the nests and lairs of the hunted creatures of spikenard. The cultivation of the soil, as practiced by the ancients, would be much nobler than this senseless wandering through the hills and woods, by which men make themselves like to the brutes than to the reasonable creatures. ”

“ The decorative architecture, which served to aid in these festivals, deserves a chapter to itself in the history of art, although our imagination can only form a picture of it from the descriptions which have been left to us. We are here more especially concerned with the festival as a higher phase in the life of the people, in which its religious, moral, and poetical ideas took visible shape. The Italian festivals in their best form mark the point of transition from real life into the world of art. ”

“ In music a certain practical skill was expected of him, which he was bound, nevertheless, to keep as secret as possible. All this is not to be taken too seriously, except what relates to the use of arms. The mutual interaction of these gifts and accomplishments results in the perfect man, in whom no one quality usurps the place of the rest.
So much is certain, that in the sixteenth century the Italians had all Europe for their pupils both theoretically and practically in every noble bodily exercise and in the habits and manners of good society. ”

“ But, great as were individual ambitions, and the vanities of nobles and knights, it remains a fact that the Italian nobility took its place in the centre of social life, and not at the extremity. We find it habitually mixing with other classes on a footing of perfect equality, and seeking its natural allies in culture and intelligence. ”

“ We note with admiration the thousand ways in which art ennobles luxury, not only adorning the massive sideboard or the light brackets with noble vases, clothing the walls with the movable splendor of tapestry, and covering the toilet-table with numberless graceful trifles, but absorbing whole branches of mechanical work--especially carpentering--into its province. ”

“ A fact most characteristic of the Renaissance and of Italy is the specialization of the orchestra, the search for new instruments and modes of sound, and, in close connection with this tendency, the formation of a class of 'virtuosi,' who devoted their whole attention to particular instruments or particular branches of music. ”