Summary

Portrait of Homer Lea Homer Lea The Vermilion Pencil: A Romance of China

It was over this sea that the Breton dreamed and was joyous; it was by this sea that he buried the derelict whose chain and Seal he wore under his robe—a promise to the dead, but in due time to be more precious to him than all the jewels that have bedecked men, and more powerful than Empires.
The Breton once more stood before the screen, eager, hesitant; straining his ears for the music of a silken rustle; his eyes for one pink finger-tip. He waited a long time, but heard nothing, nor saw even one little finger resting shyly in a crevice.
Source: Gutenberg

Portrait of Homer Lea Homer Lea The Vermilion Pencil: A Romance of China

The Breton looked up; contrition flashed across his face and instantly the rooms were filled with triumphant laughter.
But while her mockery, her commands, and derision affected him in no way, there were words, however, which were spoken in such inexplainable, whispering tones that they remained with him always. And after he came to enter the park before the hour of midday the memory of these words were so vividly recurrent in the song and solitude of the park that every sunbeam sent them scintillating through his revery. The memory of one word—and he was hid in the cloud of its thought.
Source: Gutenberg

Portrait of Homer Lea Homer Lea The Vermilion Pencil: A Romance of China

At any moment an overhanging wall might crash into the street and then it would be empty.
No one can hope to wholly describe a typhoon, that great wind, which is to the cyclone of the American plains what the tornado is to a little whirlwind adrift down a dusty road. Slaughter as well as destruction marks its path, for the typhoon is made up of flames and floods as it is of winds, and what escapes death or ruin from its cyclonic breath is devoured by its fires or swept away by its torrents. No one hopes in a typhoon, and men flee but a little way from it.
Source: Gutenberg

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