Honoré de Balzac

Honoré de Balzac

Summary

Portrait of Honoré de Balzac Honoré de Balzac The Vicar of Tours

Birotteau, on the other hand, was all expansion, all frankness; he loved good things and was amused by trifles with the simplicity of a man who knew no spite or malice. The Abbe Troubert roused, at first sight, an involuntary feeling of fear, while the vicar’s presence brought a kindly smile to the lips of all who looked at him. When the tall canon marched with solemn step through the naves and cloisters of Saint-Gatien, his head bowed, his eye stern, respect followed him; that bent face was in harmony with the yellowing arches of the cathedral
Source: Gutenberg

Portrait of Honoré de Balzac Honoré de Balzac The Vicar of Tours (1832)

But at night before going to sleep, the distress of a man to whom the fuss of moving and the breaking up of all his habits was like the end of the world, came upon him, and he racked his brains to imagine how he could ever find such a good place for his book-case as the gallery in the old maid's house. Fancying he saw his books scattered about, his furniture defaced, his regular life turned topsy-turvy, he asked himself for the thousandth time why the first year spent in Mademoiselle Gamard's house had been so sweet, the second so cruel.
Source: Wikisource

Portrait of Honoré de Balzac Honoré de Balzac The Vicar of Tours (1832)

As he turned after making the first round, he saw Mademoiselle Gamard and the Abbe Troubert standing stock-still and silent on the threshold of the door,—he with his arms folded and motionless like a statue on a tomb; she leaning against the blind door. Both seemed to be gazing at him and counting his steps. Nothing is so embarrassing to a creature naturally timid as to feel itself the object of a close examination, and if that is made by the eyes of hatred, the sort of suffering it causes is changed into intolerable martyrdom.
Source: Wikisource

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