Summary

Hubert C. Corlette Bell's Cathedrals: The Cathedral Church of Chichester…

The parapets to the north and south wall of the nave, the choir, and lady-chapel, and the painted oak choir-stalls were some of those additions.
In the fourteenth century we meet many changes in the treatment of the windows. They became larger; they were themselves very treasuries of design, and this not only for the stonework of their tracery, but also for the very beautiful glass with which they had been filled.
Source: Gutenberg

Hubert C. Corlette Bell's Cathedrals: The Cathedral Church of Chichester…

The claims of structure, the motives of common-sense, rather than abstract and aesthetic ideals of beauty, were the prime causes at work in the evolution of their great art. Here they found themselves faced by a practical need—the rebuilding of a fallen tower. Its reconstruction was necessary to the completeness and stability of the building; so they put it up, applying new and increasing knowledge and skill in the execution of the work.
Source: Gutenberg

Hubert C. Corlette Bell's Cathedrals: The Cathedral Church of Chichester…

The Bell Tower, which stands alone to the north of the cathedral, is now the only one of its kind in England; and it is curious that in two cases where these towers were found, as at Salisbury and at Norwich, spires had been added to the central towers. The cathedral bells have been hung in this tower since the fifteenth century. The structure itself, with its massive walls, is square in plan at the base, but at the top story it becomes an octagon, and the buttresses on each angle terminate as pinnacles between the angles of the square and four sides of the octagon.
Source: Gutenberg

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