Summary

Portrait of Hugh Walpole Hugh Walpole Jeremy and Hamlet — V. Poodle (1923)

Behind his fighting there was his dear master and his love for him, the world with its hunts and smells and soft slumbers and delicious food, the place where he slept, the rooms of the house where he lived, the lights and the darks, the mists and the flashing stars—all these things ranged through his sub-conscious mind, only consciously forming behind his determination not to die and, in any case, to hold on to the last, if only, yes, if only he could find something on to which he might hold.
The poodle’s teeth were terribly sharp, and Hamlet seemed to be bitten in a thousand places.
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole Jeremy and Hamlet — V. Poodle (1923)

The actual cause of the conflict was Pompey. We all know how very trying it is to make a fine friend, to introduce him into our own circle, and then to discover him, when he is nicely settled, making more of others than of ourselves—neglecting us, in fact.
This was exactly what Pompey did. He grew a little weary of Hamlet’s humour (he became very quickly tired of experiences) , and he was not at all sure that Hamlet was not laughing at himself. He was flattered by Mephisto’s attitude that at last he had found a dog in the town worthy to be his companion.
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole Jeremy and Hamlet — V. Poodle (1923)

Master and dog were very close together during those weeks. While Hamlet sat at his master’s feet, pressing his thick body close up against his master’s leg, staring in front of him, half asleep, half awake, seeing bones and cats and rabbits, and near these Mephisto with his naked patches and the treacherous Pompey, Jeremy thought that he was considering only his master’s unhappiness. He was thinking a little of that, but for the most part he was meditating revenge.
He must fight Mephisto.
Source: Wikisource

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