Summary

Portrait of Hugh Walpole Hugh Walpole Portrait of a Man with Red Hair…

All the soil of the English country, all the deep lanes with their high dark hedges, the russet cornfields with their sudden dips to the sea, the high ridges with the white cottages perched like birds resting against the sky, the smell of the earth, the savour of the leaves wet after rain, the thick smoke and damp of the closed-in rooms, the mud, the clay, the running streams, the wind through the thick-sheltering trees, all these were in Gideon's speech as he stood, close pressed, thigh to thigh with Harkness.
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole Portrait of a Man with Red Hair…

Harkness found, therefore, what at first seemed to be naked pandemonium and, stepping into it, crossed into the third room of his house of delivery. The old buildings—the town hall, the church, the old grey tower—were lit up as though by some supernatural splendour, all the lights of the booths, the hanging clusters of fairy lamps, and, in the very middle of the place, a huge bonfire flinging arms of flame to heaven.
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole Portrait of a Man with Red Hair…

The floor was of stone, and some dim rugs of uncertain colour lay like splashes of damp here and there. The first thing of which he was aware was that a strong cold draught blew through the hall. It seemed to come from a wide oak staircase on his right. There were no portraits on the panelled walls. The house gave a deep sense of emptiness. Two Japanese servants, short, slim, immobile, their hair gleaming black, their faces impassive, waited. The outer door closed. The banner fluttered, the only movement in the house.
"Come in here, Mr. Harkness," Crispin said. "It is more comfortable."
Source: Wikisource

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