Summary

Ian Hay The Lucky Number — Ocean Air (1923)

He cherished a theory that in order to inspire a woman's affection a man must be gallant, handsome, and above all notable in some way—a success, in short. The fact that there is more than one feminine instinct to which a man can appeal was unrevealed to him. He did not know that some women like mothering failures. So his longing soul clave to the dust—or rather, to the well-scrubbed deck-planking which supported the pretty feet of Miss Myra Greig. (That was her name, he discovered, by consulting the table-plan on the saloon staircase.)
Source: Wikisource

Ian Hay The Lucky Number — Ocean Air (1923)

He is morbidly sensitive about intruding where he is not wanted: and once a humble-minded individual gets that idea into his head, he is in for a fairly agonizing time of it. The only man who ever ought to become a lover is your thick-skinned fellow with a good conceit of himself. He is in his element all the time: he is convinced that he is being a glorious and continuous success, and as often as not wearies his beloved into capitulation from sheer despair of making him understand that he is not indispensable.
But Jacob Finch was not of that mettle.
Source: Wikisource

Ian Hay The Lucky Number — Ocean Air (1923)

Within twelve hours it was known to every saloon passenger that the rather colourless young man, who wore a made-up tie at dinner and spent his time mooning about after that rather saucy little piece with the big eyes, was no less a personage than the famous Julius Mablethorpe, the author of nineteen Best Sellers and a household word (or byword, according to your standard of literary taste) throughout the English-speaking world.
The consequences were immediate and numerous, and entirely beyond anything that Jacob Finch—or indeed most people—could have anticipated.
Source: Wikisource

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