Summary

Portrait of Ida Craddock Ida Craddock Heavenly Bridegrooms — August 1916 (1918)

In solar myths, the dawn is often typified as a maiden, the sun-god being her lover who pursues her vanishing form through the heavens—an idea picturesquely brought out in the myth of Cinderella. If these two stories really are a bit of sun and dawn folklore then, Urvasi and Psyche must each be the dawn-maiden, and Pururavas and Cupid must be the sun-god on whose glorious form, unveiled by any clouds, the dawn-maiden dare not look, for, as she looks, the two lovers become separated—i.e., the dawn vanishes before the rising sun.
Source: Wikisource

Portrait of Ida Craddock Ida Craddock Heavenly Bridegrooms — August 1916 (1918)

Obviously there is some other myth than a purely solar one involved in these two stories,—stories so strikingly similar and yet so strikingly at variance in the one feature in which they should agree, if true sun and dawn myths.
May not their likeness be due to their being memorials of the belief in Borderland marriages and in the self-control which is obligatory upon the earthly partner in such marriages? May not their unlikeness as to the sex of the partner who disappears when that self-control is violated, be due to there being heavenly brides, as well as heavenly bridegrooms?
Source: Wikisource

Portrait of Ida Craddock Ida Craddock Heavenly Bridegrooms — August 1916 (1918)

The psychic who, whether ignorantly or wilfully, is unworthy, loses his grip on the lines of communication, and his own ill-regulated sub-liminal consciousness then steps in with its ingenious excuses such as, perhaps, that his celestial partner is abnormally constituted as a woman, or that she kills their children as fast as they are begotten, etc, etc. And thus, through the failure of the earthly husband to observe the laws of marital self-control on the Borderland, one more tradition is launched upon the world about the devil-bride who seduces men and begets demons and kills children.
Source: Wikisource

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