J. B. Wagner

Summary

J. B. Wagner Seasoning of Wood

First we must understand that as long as the lumber is moist and drying, it will always be cooler than the surrounding air, the amount of this difference being determined by the rate of drying and the moisture in the wood. As the lumber dries, its temperature gradually rises until it is equal to that of the air, when perfect dryness results. With this fact in mind it is clear that the function of the lumber in a kiln is exactly analogous to that of the ice in an ice box; that is, it is the cooling agent.
Source: Gutenberg

J. B. Wagner Seasoning of Wood

Structure explains why oak is heavier, stronger, and tougher than pine; why it is harder to saw and plane, and why it is so much more difficult to season without injury. From its less porous structure alone it is evident that a piece of young and thrifty oak is stronger than the porous wood of an old or stunted tree, or that a Georgia or long-leaf pine excels white pine in weight and strength.
Keeping especially in mind the arrangement and direction of the fibres of wood, it is clear at once why knots and "cross-grain" interfere with the strength of timber.
Source: Gutenberg

J. B. Wagner Seasoning of Wood

If we consider only the heartwood, the black color of the persimmon, the dark brown of the walnut, the light brown of the white oaks, the reddish brown of the red oaks, the yellowish white of the tulip and poplars, the brownish red of the redwood and cedars, the yellow of the papaw and sumac, are all reliable marks of distinction and color. Together with luster and weight, they are only too often the only features depended upon in practice. Newly formed wood, like that of the outer few rings, has but little color.
Source: Gutenberg

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