Summary

J. Henry Middleton Illuminated Manuscripts in Classical and Mediaeval Times… (1892)

The best kinds of papyrus paper are close in texture, with a smooth surface, very pleasant to write upon with a reed pen, and adapted to receive miniature paintings of great refinement and delicacy of touch. To prevent the ink spreading or soaking into the paper, it was as a final process sometimes soaked in size made of fish-bones or gum and water, exactly as modern linen paper is sized. The colour of the papyrus is a pale brown, very pleasant to the eye, and excellent as a background to the painted decorations.
Source: Wikisource

J. Henry Middleton Illuminated Manuscripts in Classical and Mediaeval Times… (1892)

The difference is very great between the best and the inferior kinds of pens; the best quality appears to have been made from the long single joint of a reed.
There is no evidence that quill pens were used in classical times, but it is difficult to believe that so natural an expedient never occurred to any ancient scribe, especially when the use of vellum for manuscripts came in; for papyrus paper the softer reed pen would be more convenient than a quill, and indeed for all the earlier sort of Greek and Latin writing in large uncial characters.
Source: Wikisource

J. Henry Middleton Illuminated Manuscripts in Classical and Mediaeval Times… (1892)

Parchment and vellum. Parchment. With regard to the preparation of parchment and other kinds of skin for writing on (Pergamena and Membrana) there is little to be said. The skins of many different animals have been used for this purpose both in classical and mediaeval times, especially skins of calves, sheep, goats and pigs. Unlike manuscripts on papyrus, parchment or vellum [8] manuscripts were usually covered with writing on both sides, since the ink does not show through from one side to the other, as it is liable to do on the more absorbent and spongy papyrus paper.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature