Summary

Portrait of Jacob A. Riis Jacob A. Riis,  The Making of an American

“ It stands, that house, within a stone's throw of many a door in which I sat friendless and forlorn, trying to hide from the policeman who would not let me sleep; within hail of the Bend of the wicked past, atoned for at last; of the Bowery boarding-house where I lay senseless on the stairs after my first day's work in the newspaper office, starved well-nigh to death. But the memory of the old days has no sting. Its message is one of hope; the house itself is the key-note. It is the pledge of a better day, of the defeat of the slum with its helpless heredity of despair. ”
Source: Gutenberg

Portrait of Jacob A. Riis Jacob A. Riis,  The Making of an American

“ When there are two sides to a thing, it is not difficult to get at the right of it in an argument, and to carry public opinion for the right. But when there is absolutely nothing to be said against a proposed reform, it seems to be human nature—American human nature, at all events—to expect it to carry itself through with the general good wishes but no particular lift from any one. It is a very charming expression of our faith in the power of the right to make its way, only it is all wrong: it will not make its way in the generation that sits by to see it move. ”
Source: Gutenberg

Portrait of Jacob A. Riis Jacob A. Riis,  The Making of an American

“ In all the years of my reporting I have never omitted this when anything big was on foot, whether a fire, a murder, a robbery, or whatever might come in the way of duty, and I have never heard that my reports were any the worse for it. I know they were better. Perhaps the notion of a police reporter praying that he may write a good murder story may seem ludicrous, even irreverent, to some people. But that is only because they fail to make out in it the human element which dignifies anything and rescues it from reproach. ”
Source: Gutenberg

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