Jesse Lynch Williams

Jesse Lynch Williams

Summary

Portrait of Jesse Lynch Williams Jesse Lynch Williams Barrie: A Triumph of Personality (1906)

But it is no more to be described than the face of Tinker Bell, the fairy in the piece who appears only as a ray of dancing light. You can't put your finger down on any one quality, such as whimsicality, humor, satire, or fancy, and say that here is the most characteristic Barrie, for just when you think you've got him, he's off and laughing at you, dancing and playing around you and your idea, as Tinker Bell flashed about the Darling's nursery.
There are some things about Barrie that one could wish were otherwise. His art is at times too persistently artless.
Source: Wikisource

Portrait of Jesse Lynch Williams Jesse Lynch Williams Barrie: A Triumph of Personality (1906)

Shaw, it is a loudly shouted personality, a conscious rebellion against everything conventional in sight. Instead of whatever is, is right, his guiding principle seems to be—so far as he is guided or has any principles at all—whatever is, is wrong. If you see a head, hit it. That is his chief stock in trade. He is the walking delegate of the social organism, the professional striker, the naughty boy of the school of civilization, who plays truant and scrawls his opinions devilishly on the fence.
Source: Wikisource

Portrait of Jesse Lynch Williams Jesse Lynch Williams Barrie: A Triumph of Personality (1906)

He does not stand at the head of some new school, so that we might hail him as a prophet; for no one is by way of following in his footsteps; the cleverest imitators are too clever to try that He is as nearly sui generis as any sane human organism can be. He is the Peter Pan among the runaway children that follow the beautiful fairy art of make-believe.
Source: Wikisource

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