Summary

John Cordy Jeaffreson The Real Shelley. New Views of the Poet's Life…

Who is the young lady? Who the young gentleman who has gone off to London? Are they really husband and wife? If so, why has the young gentleman gone off without her? Why has he left her under the care of the sprightly Mr. Hogg, of all people in the world? Can it be that the Scotch marriage, instead of making her the very young gentleman’s wife, made her the sprightly Mr. Hogg’s wife? The austere and suspicious milliners may well have asked themselves these and half-a-hundred other questions.
Whilst Shelley was away, Harriett spent lonely days at York.
Source: Gutenberg

John Cordy Jeaffreson The Real Shelley. New Views of the Poet's Life…

Unlike the Shelleyan fanatics, who seek to exalt their favourite by decrying the only modern English poet likely to be rated as his superior, Shelley ever regarded Byron as the greatest living master of their art. Scott, Wordsworth, Southey, Coleridge, Keats, Tom Moore, Leigh Hunt, to say nothing of minor minstrels, all had a share of Shelley’s never-stinted homage, but he never for any long time thought of putting the best and strongest of them on equality with the incomparable Byron.
Source: Gutenberg

John Cordy Jeaffreson The Real Shelley. New Views of the Poet's Life…

In speaking to his dear and incomparable Hogg of Miss Harriett Grove’s beauty and accomplishments, her irresistible voice and richly radiant tresses, her composure that too nearly resembled coldness, and the circumspection that might not be imputed to her for unkindness, young Bysshe Shelley only did as most youngsters would have done under similar circumstances,—as most youngsters under similar circumstances will do, to the end of Time and Love.
Source: Gutenberg

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