Richard Garnett

Summary

Richard Garnett Dictionary of National Biography… (1892)

Like George Borrow, with whom he has much in common, Jefferies is a writer of a perfectly original type, and at the same time intensely English. Much of his best work may be rivalled or surpassed, but he is unparalleled, unless by Shelley, for the fusion of the utmost intensity of passion with its utmost purity, and for the eloquent expression of the mere rapture of living, of the joy of existence in fresh air and clear light amid lovely landscape. His reasoning power was not great, and he shows at times traces of the wilfulness and narrowness of the merely self-educated man.
Source: Wikisource

Richard Garnett Dictionary of National Biography… (1891)

Inchbold was happy all his life in the friendship of poets and men of genius, which consoled him for the hostility of the Academy and the indifference of the public. His faults, especially the frequent hardness and chilliness of his general effects, contrasted with the over-brightness of particular portions, undoubtedly militated against the general attractiveness of his work; his failings were obtrusive, and the recognition of his merits demanded insight and sympathy. For fidelity, delicacy, and true though unadorned poetry of feeling, no painter of his day stood higher.
Source: Wikisource

Richard Garnett Dictionary of National Biography… (1886)

Like most Irish poets, Callanan was a pure lyrist, with no reach or depth of thought, no creative imagination, and no proper originality, but endowed with abundance of fancy, melody, and feeling. His only sustained effort, ‘The Recluse of Inchidony,’ is as good an imitation of ‘Childe Harold’ as could well be written, but little more. His lyrical poems leave no doubt of the genuine quality of his inspiration, but only one, ‘Gougane Barra,’ a fine example of musical and impassioned description, the alliance of the eye and the heart, has produced a deep impression or attained general celebrity.
Source: Wikisource

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