Richard Garnett, Dictionary of National Biography (1901)
“ His great defect as a critic is the absence of a lively aesthetic sense ; the more exquisite beauties of literature do not greatly impress him unless as vehicle for the communication of ideas. He inherited his father's ethical cast of mind ; conduct interests him more than genius. Nothing else can account for his amazing definition of poetry as a 'criticism of life;' and in the same spirit, when he ought to be giving a comprehensive view of Keats and Gray, he spends his time in inquiring whether Keats was manly, and why Gray was unproductive. ”
