Summary

Portrait of John Galsworthy John Galsworthy From The Four Winds — A Prairie Oyster (1897)

The night was a lovely one, hot, with a bright moon silvering the prairie, and trying vainly to throw shadows in a shadowless space. In a meditative mood, I lounged on the platform against the open door of the smoking car, and it seemed to me that I was taking a lesson in the comprehension of infinity. A rolling plain as far as the eye could reach—not a tree—not a house—as limitless and as empty as the sky itself.
Source: Wikisource

Portrait of John Galsworthy John Galsworthy From The Four Winds — A Prairie Oyster (1897)

As we stepped out on to the car platform the shrill tragic cry of the loon came floating to us, through the wreathing mist, from across the reedy pools. We watched the sun rise—and those who are watching the sun rise on the prairie and the flushing of the early mountain slopes in the reflected light, are not greatly given to talk. But when it was over, I turned to Dick Denver.
Source: Wikisource

Portrait of John Galsworthy John Galsworthy From The Four Winds — A Prairie Oyster (1897)

The moonlight and the vastness were getting into my brain—a little more, and I might have leapt from the train, and run until nature or prairie dog holes should assert their influence upon me;—and then with a saving grace, a couple of coyotes appeared from behind a hillock, and played with their tails in the moonlight—and the spell was broken.
I became conscious that my cigar was out, that the mosquitoes were annoyingly attentive. Better to be a limited being in a smoking car and not itch, than to be an unlimited being outside it and itch most 'demnibly.' I went back into the smoking-room.
Source: Wikisource

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