Summary

Portrait of John Greenleaf Whittier John Greenleaf Whittier Mabel Martin, a Harvest Idyl; and other poems

The woods of Follymill.
The lilies blossom in the pond,
The bird builds in the tree,
The dark pines sing on Ramoth hill
The slow song of the sea.
I wonder if she thinks of them,
And how the old time seems,—
If ever the pines of Ramoth wood
Are sounding in her dreams.
I see her face, I hear her voice;
Does she remember mine?
And what to her is now the boy
Who fed her father's kine?
What cares she that the orioles build
For other eyes than ours,—
That other hands with nuts are filled,
And other laps with flowers?
Source: Gutenberg

Portrait of John Greenleaf Whittier John Greenleaf Whittier Mabel Martin, a Harvest Idyl; and other poems

Krishna saith;
"Not in thy sword is the power of death!
All is illusion,—loss but seems;
Pleasure and pain are only dreams;
Who deems he slayeth doth not kill;
Who counts as slain is living still.
Strike, nor fear thy blow is crime;
Nothing dies but the cheats of time;
Slain or slayer, small the odds
To each, immortal as Indra's gods!"
So by Savannah's banks of shade,
The stones of his mission the preacher laid
On the heart of the negro crushed and rent,
And made of his blood the wall's cement;
Bade the slave-ship speed from coast to coast,
Fanned by the wings of the Holy Ghost
Source: Gutenberg

Portrait of John Greenleaf Whittier John Greenleaf Whittier Mabel Martin, a Harvest Idyl; and other poems

From inland mountains to seaboard town.
Prepared and ready the altar stands
Waiting the prophet's outstretched hands
And prayer availing, to downward call
The fiery answer in view of all.
Hearts are like wax in the furnace; who
Shall mould, and shape, and cast them anew?
Lo! by the Merrimac Whitefield stands
In the temple that never was made by hands,—
Curtains of azure, and crystal wall,
And dome of the sunshine over all—
A homeless pilgrim, with dubious name
Blown about on the winds of fame
Source: Gutenberg

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