John Masefield

John Masefield

Summary

Portrait of John Masefield John Masefield Sard Harker: A novel (1924)

On this ocean side of the Sierra there was no desert. Instead of a chaos of rock blasted by the sun to rottenness, there were heaves of hill flinging their waters to the forests. Forests covered the valleys like a fleece. In places where there was no forest Sard could see little white houses. The smoke of a train ran like a caterpillar along the valley beneath the foothills. Beyond the foothills was a dark mass, like a bar of metal, yet not like a bar of metal, because it seemed to be alive, it gave Sard the thought that it trembled: it was the sea.
Source: Gutenberg

Portrait of John Masefield John Masefield Sard Harker: A novel (1924)

Spikes of charcoal, twelve or fifteen feet high, rose from the ground all over the hillside, like an army of witches. He dodged through this wood and went through it diagonally, keeping uphill. When he reached a bend in the hill, he lay down for breath. He could see no trace of man nor any trace of life, nothing but wilderness, rocks, burnt sand and burnt pikes of trees, the sun looking at it all with indifference, bringing no life to it, and the wind from the icefields floating over it, bringing death.
Sard looked away to the south-east, where the man had said that there was a pass.
Source: Gutenberg

Portrait of John Masefield John Masefield Sard Harker: A novel (1924)

Sard turned at the angle of the barracks into a sandy street of adobe houses, some of which had white canvas screens spread across their stoops. The street was like a street of the dead in the siesta. A few dogs, the exact colour of the sand, lay in the sun as though killed by a pestilence. Sard dodged their bodies, darted down a lane to the right, and found himself barred by a wall, which was topped by spikes. He got hold of a spike, swung himself up and scrambled over, into a graveyard in which the dead seemed to be coming out of their graves.
Source: Gutenberg

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