Summary

Portrait of Ralph Delahaye Paine Ralph Delahaye Paine Four Bells: A Tale of the Caribbean

You have only to say one little word. There is no more Colonel Fajardo. Do you understand?”
Richard Cary gazed at her in great pity and love and admiration. Who was he to judge? Had he not taken justice into his own hands when he had boarded Don Miguel O’Donnell’s schooner and courted fatal conflict? Had he slept any more uneasily for it? He had waged private war from the galleried streets of Cartagena to the palm-fringed bay of Cocos Island, like a roving Cary of Devon. Was there one law of justification for a man and another for a woman?
Source: Gutenberg

Portrait of Ralph Delahaye Paine Ralph Delahaye Paine Four Bells: A Tale of the Caribbean

The galleon bell tolled again, Four bells! So far away and yet so dangerously insistent, as loud in his ears as though he stood upon the ship’s deck. He seemed also to hear Teresa’s voice attuned in harmony with it, to hear her saying in the patio:
“There is something about this old bell, very queer, but as true as true can be. If anything very bad is going to happen to the one it belongs to, this bell of the Nuestra Señora del Rosario strikes four times, dong-dong, dong-dong. Four bells, like on board a ship. When there is going to be death or some terrible bad luck!
Source: Gutenberg

Portrait of Ralph Delahaye Paine Ralph Delahaye Paine Four Bells: A Tale of the Caribbean

Ricardo was too canny to make himself an easy target. He ran a zigzag course, on a headlong slant toward one side of the deck and veering toward the other side. It was a disconcerting, bewildering onset even to an experienced campaigner like Don Miguel O’Donnell.
Cary was running like the wind, and as he ran he blazed away with the revolver which barked like a small cannon. A machine gun on a deck deeply shadowed was a clumsy weapon with which to stop a man determined to capture a ship single-handed or perish in the attempt.
Source: Gutenberg

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