John Sell Cotman

“ Ordericus Vitalis calls it Tanchardi Villa: M. de Valois, in his Notitia Galliæ, is disposed to claim for it the more imposing appellation of Tancredi Villa. The point will in all probability never be settled: it is more to be regretted, that no account is to be found of the building of the castle, whose lofty towers still frown in the pride of old baronial grandeur, from the summit of a steep cliff upon the right bank of the Seine, which here, so near its mouth, rather assumes the character of an estuary than a river. ”

“ The sculpture upon the capitals appears of Roman design: that on one of them, exhibits a row of graceful figures in a pure classical taste, intent upon some action, but so much mutilated, that it would be now no easy task to conjecture the object of the artist. The aisles of the chancel are divided from the central compartment by double arches, a larger and a smaller being united together, all of them semi-circular, and all of the Norman style of architecture. ”

“ Every thing too tends to prove that architecture was then in its infancy in the capital of Neustria; or, if it ever had been more advanced there, which could have been only under the Roman sway, that it had retrograded into a barbarous state.—Moreover, the Gothic style, mentioned by Fridegode, was no other than a degeneration of the Roman, or, more properly, of the Lombardic architecture, distinguished by the circular arch, by insulated columns, by a paucity of ornaments, and by a general massiveness. ”

“ A noble circular tower, surrounded by a deep moat, and approached by a draw-bridge, appears at first view to be the great character of the ruin; but it is obviously an addition of a subsequent period, and, indeed, of a time considerably posterior to the hall. The pointed arches of its windows, and the elegant bosses of its ceiling, denote an æra when the arts had arrived at a high state of perfection.—Of the date, or cause of the decay of the castle, nothing is recorded. ”

“ The names of the daughters and nieces of the chief Norman barons, will be found in the catalogue of the first nuns. Such, however, was at that period the state of society, that even an abbey, so founded, endowed, and occupied, was doomed to afford a remarkable instance of the capricious barbarity of the times. No sooner was the death of the Conqueror known, than the very nobles, who, but a few years previously, had been foremost as benefactors to the convent, assumed the opposite character, and did every thing in their power to despoil, and to destroy it. ”

“ In the evening, when it is illuminated only by a few faintly-burning tapers, the effect of the gleams of light, reflected from the returns of the arches and pillars, is particularly fine. Beyond the central arch which supports the tower, all is lost in gloom, except that at the extremity of the choir, the star-light just breaks through the topmost windows above the altar.—In the church of St. Stephen, the leading ideas of the architect were still influenced by the Roman basilica; a third and more fanciful modification is to be observed in the coeval church of the Holy Trinity. ”

“ The lover of researches into architectural antiquity no sooner directs his attention to that branch of his subject, which, as tending to elucidate the habits of his forefathers, would be peculiarly interesting, than he finds an insuperable obstacle opposed to his progress. The zeal of churchmen and the pride of barons, have preserved us many noble relics of ecclesiastical and castellated buildings; but the private residence of the more humble individual has, in no portion of the globe, been able to secure to itself any thing approaching to a durable existence. ”

“ The nave is supported by flying buttresses, each filled with tracery of eight mullions.—The tower at the south angle of the west front is lofty, and in the perpendicular style. In the north aisle of the choir is an elegant screen, which probably incloses a chantry-chapel, and, like the lady-chapel, exhibits a singular mixture of pointed forms, interspersed with Roman members: parts of it resemble the tomb of Bishop Fox, at Winchester. ”

“ It is farther to be observed of this church, that the windows of the tower are simple, bold, and, for the elegance of their proportions, scarcely to be surpassed by those of any other Norman building; that the capitals of the pillars throughout the church are destitute of sculpture; and that the walls of the clerestory are altogether without buttresses. This last peculiarity is likewise observable in the nave of the church at Tollevast, an edifice of the plainest and earliest architecture. ”

“ Religion, history, poetry, and painting, have all united in giving celebrity to St. Michael's Mount. The extraordinary sanctity of its monastery, the striking peculiarities of its form and situation, and the importance acquired by the many sieges it supported, or the almost endless pilgrimages it received, have so endeared it to the man of taste and the philosopher, that scarcely a spot is to be found in Europe, more generally known, or more universally interesting. ”

“ During the succeeding unfortunate reign, this castle shared, in 1450, the fate of all the other British possessions in Normandy; and, like most of the rest, it offered but a feeble resistance to the victorious arms of France. A few days' siege was sufficient to induce its garrison, of two hundred men, to surrender, what the contemporary historians admit to have been one of the finest and strongest places in the duchy. St. Sauveur, from this time, is no longer celebrated in history, as a fortress ”

“ And yet this western front, all degraded as it is, cannot fail to derive importance from the great depth of the central door-way, which is no less than forty-seven feet, [224] a projection exceeding that of the galilee of Peterborough cathedral. It is in the interior that the beauty of the church of Séez is conspicuous. The noble lofty arches below; the moresque ornament, like those at Bayeux and at Coutances, in the spandrils; the double lancet arches of the triforium placed in triplets ”

“ In early times, also, the state of society operated powerfully towards the production of the same destructive effect. When even the monarch could no otherwise provide for the safety of his palace, than by encircling it with the fortifications of the castle, a life of continual alarm afforded his subjects no encouragement for the cultivation of the arts of peace. Society knew no other classes than the lord and his vassals: the former, enthroned in military state ”

“ Nearly a hundred years before that time, a cardinal, upon a visit to Caen, had opened the tomb through curiosity. After the tumults caused by the Huguenots had subsided, the monks of the convent, who had gotten possession of one of the thigh-bones that had been preserved by the Viscount of Falaise, re-interred it, and, out of gratitude to their founder, raised, in 1642, a new monument of black marble, at great expense. ”

“ The capitals near the west end of the church, are comparatively simple: they become considerably more elaborate on advancing towards the choir; and it is most interesting to observe in them, how the Norman architects appear, in some instances, to have been intent upon copying the Roman model, or even adding to it a luxury of ornament, which it never knew, yet still preserving a classical feeling and a style of beauty, of which the proudest ages of architecture need not be ashamed ”

“ On the contrary, the sculpture on them is for the most part of great beauty; and the patterns display a fertile, and an elegant, if not a classical, taste on the part of the architects. The greatest peculiarity among them, and one that is believed to be wholly confined to this church, is, that seven or eight of the pillars have, by way of capitals, a narrow projecting rim, carved with undulating lines. So frequent a repetition of the same ornament, and of an ornament so very singular, removes the idea of accident. ”

“ No argument is to be drawn from the general aspect of the building; for such is the great excellence of the Caen stone, and so little has it suffered in an atmosphere untainted by coal smoke, and in a climate probably superior to our own, that all the parts appear to be in equally good preservation, and the whole looks as fresh as if but yesterday hewn from the quarry. An opinion has commonly prevailed, that an epitaph, still visible on the exterior of the apsis, is that of the builder of the church. ”

“ An artist, engaged in the illustration of the Architectural Antiquities of England, could scarcely do otherwise than often cast a wistful look towards the opposite shores of Normandy; and such would particularly be the case, if, like Mr. Cotman, to a strong attachment to his profession and the subject, he should chance to add a residence in Norfolk. This portion of the kingdom of the East-Angles, in its language and in its customs, but especially in the remains of its ancient ecclesiastical architecture, abounds in vestiges of its Teutonic colonists. ”

“ The upper tier of arches will find a parallel in the towers of the abbey of Jumieges, built during the reign of the Conqueror; and most of the other members and decorations are of frequent occurrence in erections of the same æra. A peculiarity is alone observable in the smaller arches of the second row, in which the artist has indulged himself in what may be termed an architectural conceit, lengthening, to a very disproportionate degree, and almost in the moorish fashion, the part above the capital, in order that the whole might range in a line with the larger arch in the centre. ”

“ Oyestraham, or, as it is more commonly written, Estreham, is a village situated upon the left bank of the Orne, near its confluence with the channel. Its name, derived from the Saxon, [219] seems to point it out as a settlement made by those daring invaders: its church, one of the first [123] objects that presents itself to the English traveller, on his entering France in the direction of Caen, is well calculated to impress him with a forcible idea of the magnificence of the Norman lords of the duchy. That it was built in the time of their sway, is a fact which cannot be doubted ”

“ The revolutionary patriots completely gutted them of every useful and every valuable piece of furniture; and even the bare walls are beginning to grow damp, and threaten immediate decay. I made several memoranda upon the spot, which have been unluckily, and I fear irretrievably, misplaced; so that, of this once vast, and yet commanding and interesting edifice, I regret that I am compelled to send you so short and so meagre an account. Farewell—a long and perhaps perpetual farewell—to the Castle of Montmorenci! ”

“ In the interior of the building, (plate ninety-four) the same uniformity of style prevails as in the exterior; and if, in conjunction with the cathedral of Coutances, be considered that of Lisieux, a contemporary building, and so much alike in character, that it may reasonably be doubted if they were not the production of the same architect, it will scarcely be assuming too much, to say that the date of the introduction of the pointed architecture in France, may safely be placed as early as the middle of the eleventh century. ”

“ That fearful storm burst with tremendous violence upon the castles of barons, the palaces of kings, and the temples of religion. Many of the most sumptuous edifices, which had mocked the hand of time, and had been respected amidst the ravages of foreign or domestic warfare, were then swept from the face of the earth. Others, degraded, deserted, neglected, and dilapidated, are at this moment hastening fast to their decay. Yet no small portion of what is valuable has been happily left. The two royal abbeys of Caen, though shorn of much of their former grandeur, are still nearly entire. ”

“ The arches are lofty and acute. Each angle is formed by a double buttress, and the tabernacles affixed to these are filled with statues. The basement of the oriel, which projects from the flat wall of the house, after the fashion of a bartizan, is divided into compartments, studded with medallions, and intermixed with tracery of great variety and beauty. ”

“ The great western door-way to the church of Perriers is very peculiar. Mr. Cotman regards it as the only instance, in the duchy, of a real Norman building having its principal entrance square-headed. Its massive lintel, shaped, as at Bieville, into a pediment, and surmounted by an arch, which is rather the segment of an ellipsis than of a circle, is likewise remarkable. But the very large arch on the northern side of the nave, adjoining the west end, is by far the most striking architectural feature of the building. ”