Summary

Portrait of Edward A. Freeman Edward A. Freeman Sketches of Travel in Normandy and Maine

The hill of Coutances is not a hill simply rising from a plain; there are valleys on two sides, and we ask for a stream at the bottom of them as naturally as we do at Edinburgh. At Saint-Lo, the Vire, with the rocky hill rising high above it, is the chief feature of the landscape. And as we pass by on the railway and look up, the two graceful spires of the church of Our Lady seem quite worthy of their position. We feel at once that the characteristic feature of Normandy and England, the central tower, is missing.
Source: Gutenberg

Portrait of Edward A. Freeman Edward A. Freeman Sketches of Travel in Normandy and Maine

Gervase, but of the castle we get only the faintest glimpse, nothing at all to suggest the full glory of its position. We pass on by the fine but very inferior church of the Holy Trinity; we contemplate the statue of the local hero; we pass through the castle gate; we pass by a beautiful desecrated chapel of the twelfth century; we feel by the rise of the ground and by the sight of the walks below that we are ascending, but it is not till we are close to the keep itself, till we have reached the very edge of the precipice, that we fully realise there is a precipice at all.
Source: Gutenberg

Portrait of Edward A. Freeman Edward A. Freeman Sketches of Travel in Normandy and Maine

There is perhaps a slight feeling of disappointment at finding that here at Saint-Evroul there is nothing directly to remind us of the man for whose sake we have come thither. We would fain see something that had met the eyes of the island-born child in the first years of his coming to his foreign home. We would fain see even the church of Robert of Grantmesnil, much more the elder church from which the High Chancellor of Duke Hugh the Great carried away the body of Saint Evroul himself, as a piece of holy spoil which Normandy had to yield to France.
Source: Gutenberg

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