John Weeks Moore

Summary

John Weeks Moore Complete Encyclopaedia of Music… (1880)

The king admired the learned manner in which his subject was thus executed extempore ; and probably to see how far such art could be carried, expressed a wish to hear a fugue with six obligate parts. But, as it is not every subject that is fit for such full harmony, Bach chose one himself, and immediately executed it, to the astonishment of all present, in the same magnificent and learned manner he had done that of the king. His majesty desired also to hear his performance on the organ.
Source: Wikisource

John Weeks Moore Complete Encyclopaedia of Music… (1880)

Concerning the performance and compositions of Bach, it certainly is true what Marpurg says, that "he was many musicians in one." "No true idea," says Kollmann, "can be formed of S. Bach's organ playing, except by hearing his works, expressly composed for the organ, per-formed in the manner in which he played them, viz., those for the full organ, on a good, large instrument, and the pedal part on a double bass stop ; those for solo stops, on as many sets of keys, with different stops, as they contain parts, and the bass part on a suitable double bass stop.
Source: Wikisource

John Weeks Moore Complete Encyclopaedia of Music… (1880)

Gentlemen, old Bach is come." The flute was now laid aside, and old Bach, who had alighted at his son's lodgings, was immediately summoned to the palace. The king then gave up his concert for that evening, and invited Bach to try his forte-pianos, made by Silbermann, which stood in several rooms of the palace. The musicians went with him from room to room, and Bach was invited every where to play unpremeditated compositions. After he had gone on for a short time, he asked the king to give him a subject for a fugue, in order to execute it immediate-y without any preparation.
Source: Wikisource

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