Summary

Portrait of Jonathan Swift Jonathan Swift The Battle of the Books, and other Short Pieces

O that I could kill this destroyer of our army, what renown should I purchase among the chiefs! but to issue out against him, man against man, shield against shield, and lance against lance, what Modern of us dare? for he fights like a god, and Pallas or Apollo are ever at his elbow. But, O mother! if what Fame reports be true, that I am the son of so great a goddess, grant me to hit Temple with this lance, that the stroke may send him to hell, and that I may return in safety and triumph, laden with his spoils.
Source: Gutenberg

Portrait of Jonathan Swift Jonathan Swift The Battle of the Books, and other Short Pieces

What wonderful productions of wit should we be deprived of from those whose genius, by continual practice, hath been wholly turned upon raillery and invectives against religion, and would therefore never be able to shine or distinguish themselves upon any other subject? We are daily complaining of the great decline of wit among as, and would we take away the greatest, perhaps the only topic we have left? Who would ever have suspected Asgil for a wit, or Toland for a philosopher, if the inexhaustible stock of Christianity had not been at hand to provide them with materials?
Source: Gutenberg

Portrait of Jonathan Swift Jonathan Swift The Battle of the Books, and other Short Pieces (1891)

As he came near, behold two heroes of the Ancient army, Phalaris and Æsop, lay fast asleep. Bentley would fain have despatched them both, and, stealing close, aimed his flail at Phalaris’s breast; but then the goddess Affright, interposing, caught the Modern in her icy arms, and dragged him from the danger she foresaw; both the dormant heroes happened to turn at the same instant, though soundly sleeping, and busy in a dream. For Phalaris was just that minute dreaming how a most vile poetaster had lampooned him, and how he had got him roaring in his bull.
Source: Wikisource

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