Summary

Joseph Cundall A Brief History of Wood-engraving… (1895)

As soon as the success of the 'Quadrupeds' was assured, Bewick commenced without delay his still more celebrated book, the 'History of British Birds.' In making the drawings for this work he was much more at home, for he knew every feathered creature that flew within twenty miles of Ovingham, and it was all 'labour of love.' He worked with all his soul first at the 'Land Birds' and afterwards at the 'Water Birds,' and it is on these two books that Bewick's fame both as a draughtsman and an engraver principally rests.
Source: Wikisource

Joseph Cundall A Brief History of Wood-engraving… (1895)

In the year 1775, the Society for the Encouragement of Arts offered a series of small money premiums for the best engravings on wood. These prizes were won by Thomas Hodgson, William Coleman, both then living in London, and Thomas Bewick, of Newcastle, who sent up for competition five engravings intended to illustrate a new edition of 'Gay's Fables.' It is of the last of these three—who received an award of seven guineas, which he immediately gave over to his mother—that we have now to write.
Source: Wikisource

Joseph Cundall A Brief History of Wood-engraving… (1895)

In 1826 Bewick lost his wife, who left to his care one son and three daughters. In the summer of 1828 he visited London alone; he was not in good health, took but little interest in what was going on, and soon longed to return home. There he was busy as ever on a large cut of an old horse 'Waiting for Death' (which Mr. Linton has faithfully copied) . Early in November he took the block to the printers to be proved, and after a few days' illness, he died on November 8, 1828. He was buried in Ovingham churchyard, where a tablet is erected to his memory.
Source: Wikisource

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