Joseph E. Morris

Summary

Joseph E. Morris The Lake of Lucerne

PILATUS ABOVE A SEA OF CLOUDS.
9 This first view, then, of the Vierwaldstättersee from the quays at Lucerne—far more than the first view of Lake Leman from the bridges of Geneva, or of Zurich from the quays of Zurich city—is dramatic in its complete and abrupt transformation, in its turning upside-down, and twisting inside-out, of all our previous conceptions of our commonplace, workaday world! The thing in a way is sensational, but sensational within the modesty of nature, and certainly to be enjoyed at least once in a lifetime, and especially if one happen to be young.
Source: Gutenberg

Joseph E. Morris The Lake of Lucerne

The attraction here, of course, is the majestic Bay of Uri, which comes into view with startling suddenness, in a few revolutions of the paddles, as the steamer approaches the quay at Brunnen; and whose splendour, luckily, neither monster hotel, nor monster crowd, nor the presence of the great St. Gothard railway (here first insistently apparent on the margin of the lake) ,
"nor Man nor Boy,
Nor all that is at enmity with joy,
Can utterly abolish or destroy."
Source: Gutenberg

Joseph E. Morris The Lake of Lucerne

Those who approach Lucerne directly by the railway fitly approach the most dramatic of lakes by the most dramatic of vestibules. For those who use their eyes, indeed, there are abundant distant hints of the coming splendour; the Alps are first visible, in tolerably clear weather, as we descend the long wall of Jura on to the Aar at Aarberg; and further on, beyond the peaty flats round the Mauensee, and as we quit the lake of Sempach, Pilatus and Rigi, like two tall sentinels
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature