Summary

Portrait of Joseph Hatton Joseph Hatton The Tallants of Barton, vol. 1… (1867)

The river flowed on its way, and the sun went down behind the hills; the tones of the evening bell echoed through the college yard; and long after the heir of the Verners had left his friend, the artist sat smoking his cigar in the twilight, thinking of Phœbe Tallant—thinking of her as he might think of some beautiful vision of the poet—thinking of her with a love in his heart that was more than love. And yet she seemed a necessity in his life, something that made life worth living for—something next to his art.
Source: Gutenberg

Portrait of Joseph Hatton Joseph Hatton The Tallants of Barton, vol. 1… (1867)

For the last two or three years his love for Phœbe Tallant had grown up into a passion which he could not control, and it was only this which disturbed the peaceful course of his life. He had never thought of disclosing his feelings to her. It had been a great relief to him to tell Lionel Hammerton, and more particularly when he had for a moment feared that he had a rival in his friend. Not that Arthur, perhaps, ought to have looked upon any one as a rival, when marriage could hardly be said to have entered his thoughts.
Source: Gutenberg

Portrait of Joseph Hatton Joseph Hatton The Tallants of Barton, vol. 1… (1867)

Yes, Arthur Phillips was desperately in love. A silly thing that, now-a-days, is it not? Love! All very well in poetry and romance; all very well for school-girls and beardless boys.
But may we not excuse an artist for fostering such a ridiculous passion? It is something in his line, you know. Painters, Senior Mammon will probably say, are ridiculous fellows at best. They spend their time in a fool’s paradise, studying the changes of the sky, making copies of trees and leaves, and lashing themselves into furious excitement about the glories of summer mornings and autumn sunsets.
Source: Gutenberg

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