Joseph Hergesheimer

Joseph Hergesheimer

Summary

Portrait of Joseph Hergesheimer Joseph Hergesheimer The City of Pleasure (1913)

There on the sand, before the cool tranquillity of the sea, the murmurous peace of its marge, the splendor of its horizon, the men betrayed, lured from happiness, from life, gaze dully downward, or—for a dazzled second—raise stony, blinded eyes to the sun.
The girls are without tenderness, without graciousness; they are without the bloom of scarlet blood coursing through free, white limbs, without the imperious urge of youth. Their desire is that of despair, of the torment of sex forced into perverse channels, of sex balked, betrayed.
Source: Wikisource

Portrait of Joseph Hergesheimer Joseph Hergesheimer The City of Pleasure (1913)

The clear chord of a piano, the vibrant note of a violin, sound from a platform against the further wall; after a momentary pause, in a bar of dusty light that falls diagonally from above, a woman appears, Castilian, in black and scarlet. One gleaming shoulder is bare, and a scant, fringed skirt is cut away from knees that show seductively in warm silk. A native hat rakishly shadows her countenance, out of which her gaze sweeps insolently over the attentive tables.
Source: Wikisource

Portrait of Joseph Hergesheimer Joseph Hergesheimer The City of Pleasure (1913)

A BLUR of oily, black smoke on the clear, green sky, the stridulous escape of steam, clanking brakes, and the excursion train stops at its platform. People pour like a colored, yeasty mass from its doors. In an instant the platform is crowded to suffocation; a headlong rabble of humanity, red-faced or incurably pallid, already worn by the long, hot journey, the rise before dawn, struggle and hurry and cry out, in an agony of apprehension, a torment of soul, lest they should miss a moment's pleasure.
Source: Wikisource

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