Summary

Joseph Woods Letters of an Architect, From France…

What in English we should call the villa, but which is here known by the name of casino, can hardly be called handsome, and yet it pleases, and the terraces and the flat garden below, cut partly into the hill, the fragments of architecture, the fountains, the groves of towering stone pines, and the views in both directions, make it a place to which you willingly return again and again. The situation of the house is not well chosen. The pride of the artist was to counteract nature, not to follow her, and gently bring her into his service
Source: Gutenberg

Joseph Woods Letters of an Architect, From France…

There cannot be a stronger contrast than between Rome and Naples. In the former city every thing breathes repose; the streets are not deserted, but you meet only with persons going soberly about on their several occasions; and except perhaps, for about an hour in an evening in the Corso, there is no crowd, no bustle. If you pass beyond the walls, you may walk for miles along the silent and open roads of the Campagna, and see only a few shepherds tending their flocks.
Source: Gutenberg

Joseph Woods Letters of an Architect, From France…

NAPLES.
Rome, 28th September, 1817. I do not know if you are tired of Rome, but I know that I am not. Rome is the paradise of artists; it is full of their objects and their recollections; but what most contributes to make the residence in Italy in general, and of Rome in particular, so interesting to us, is the universal sympathy which is accorded to the objects of our pursuit. From the prince to the peasant, the most educated to the most ignorant, all seem to find pleasure in the productions of the fine arts; and it is this sympathy which more than any one thing makes life pass agreeably
Source: Gutenberg

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