Summary

Jr. Horatio Alger Timothy Crump's Ward: A Story of American Life

It will be seen that no great change has come over Miss Rachel Crump during the years that have intervened. She takes the same disheartening view of human nature and the world's prospects, as ever. Nevertheless, her own hold upon the world seems as strong as ever. Her appetite continues remarkably good, and although she frequently expresses herself to the effect that there is little use in living, probably she would be as unwilling to leave the world as any one. I am not sure that she does not derive as much enjoyment from her melancholy as other people from their cheerfulness.
Source: Gutenberg

Jr. Horatio Alger Timothy Crump's Ward: A Story of American Life

Jack was a stout, good-looking boy, with a pleasant face; but Ida's beauty was of a delicate, refined type, which argued gentle birth,—her skin of a brilliant whiteness, dashed by a tinge of rose,—exhibiting a physical perfection, which it requires several generations of refined habits and exemptions from the coarser burdens of life to produce. The perfection of human development is not wholly a matter of chance, but is dependent, in no small degree, upon outward conditions.
Source: Gutenberg

Jr. Horatio Alger Timothy Crump's Ward: A Story of American Life

But the young artist was fastidious. “It is strange,” he thought, “how few there are, even in the freshness of childhood, that can be called models of beauty. That child, for example, has beautiful eyes but a badly-cut mouth, Here is one that would be pretty, if the face was rounded out; and here is a child, Heaven help it! that was designed to be beautiful, but want and unfavorable circumstances have pinched and cramped it.”
It was at this point in the artist's soliloquy that, in turning the corner of a street, he came upon Peg and Ida.
Source: Gutenberg

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