Summary

Portrait of Kate Chopin Kate Chopin Bayou Folk — For Marse Chouchoute (1894)

Chouchoute was a delightful young fellow; no one could help loving him. His heart was as warm and cheery as his own southern sunbeams. If he was born with an unlucky trick of forgetfulness – or better, thoughtlessness – no one ever felt much like blaming him for it, so much did it seem a part of his happy careless nature. And why was that faithful watchdog, Wash, always at Marse Chouchoute’s heels, if it were not to be hands and ears and eyes to him, more than half the time?
Source: Wikisource

Portrait of Kate Chopin Kate Chopin Bayou Folk — For Marse Chouchoute (1894)

Occasionally a marauding dog started from the obscurity to bark and give useless chase.
“To the road, to the road, Bon-à-rien!” panted Chouchoute, for the horse in his wild race had approached so closely to the river’s edge that the bank crumbled beneath his flying feet. It was only by a desperate lunge and bound that he saved himself and rider from plunging into the water below.
Chouchoute hardly knew what he was pursuing so madly. It was rather something that drove him; fear, hope, desperation.
He was rushing to the station, because it seemed to him, naturally, the first thing to do.
Source: Wikisource

Portrait of Kate Chopin Kate Chopin Bayou Folk — For Marse Chouchoute (1894)

One beautiful spring night, Chouchoute, on his way to the station, was riding along the road that skirted the river. The clumsy mail-bag that lay before him across the pony was almost empty; for the Cloutierville mail was a meagre and unimportant one at best.
But he did not know this. He was not thinking of the mail, in fact; he was only feeling that life was very agreeable this delicious spring night.
Source: Wikisource

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