Keith Laumer

The walls (1962)

Summary

Keith Laumer,  The walls (1962)

“ She had to get hold of herself. These were only mirrors—she knew that. Only mirrors. The other women—they were mere reflections. Even the hostile ones who hid the others—they were herself, mirrored in the walls.
She opened her eyes. She knew there were joints in the glassy wall; all she had to do was find them, and the illusion of the endless plain would collapse. There—that thin black line, like a wire stretched from floor to ceiling—that was a corner of the room. She was not lost in an infinitude of weeping women on a vast plain; she was right there, in her own apartment—alone.
”
Source: Gutenberg

Keith Laumer,  The walls (1962)

“ It was exciting at first, having full-sized people talking, eating, fighting, taking baths, making love, right in the room with you. If you sat across the room and half-closed your eyes, you could almost imagine you were watching real people. Of course, real people wouldn't carry on like that. But then, it was hard to say what real people might do. Flora had always thought Doll Starr wore padded brassieres, but when she stripped on Full-wall—there wasn't any fakery about it. ”
Source: Gutenberg

Keith Laumer,  The walls (1962)

“ Instead of a simple room, neatly bounded on all four sides by solid walls, she seemed now to occupy a stage set off by windows through which other, similar, stages were visible, endlessly repeated. The old feeling of intimate companionship with her reflected self was gone; the two mirror-women were strangers, silently watching her. Defiantly, she stuck out her tongue. The two reflections grimaced menacingly. With a small cry, Flora ran to the switch, turned the screens on. ”
Source: Gutenberg

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